Page:Great Men and Famous Women Volume 8.djvu/145

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DANTE GABRIEL ROSSETTI 297 one, slipped unconsciously into decay, the more stealthily that the poison seemed to have no effect whatever on the powers of the victim's intellect. He painted until physical force failed him ; he wrote brilliantly to the very last, and two son- nets dictated by him on his death-bed are described to me as being entirely worthy of his mature powers. There is something almost melancholy in such a proof of the superior vitality of the brain. If the mind had shared the weakness of the body, the insidious enemy might perhaps have been routed in time to se- cure the elastic rebound of both. But when the chloral was stoutly met at last, it was too late. So at the age of fifty-four we have lost a man whom we should have retained, in the nature of things, for twenty years longer in the plentitude of his powers, but for a mistake in hygiene — a medical experiment. His work of inspiring the young, of projecting his fiery originality along the veins of others, was perhaps completed ; it is doubtful whether this can ever be continued with advantage through more than two generations. The prophet is apt at last to become a tyrant, and from this ill apotheosis Rossetti was spared. But there was no rea- son why he should not, for at least a score of years, have produced noble pictures and have written gorgeous poems, emphasizing a personal success which he would have extended, though he hardly could have raised it. Yet he was always a mel- ancholy man ; of late years he had become almost a solitary man. Like Charles of Austria, he had disbanded his body-guard, and had retired to the cloister. Perhaps a longer life would not have brought much enjoyment with it. But these are idle speculations, and we have rather to call to our remembrance the fact that one of the brightest and most distinguished of our race, a man whose very existence was a protest against narrowness of aim and feebleness of purpose, one of the great torch-bearers in the procession of English art, has been called from us in the prime of life, before the full significance of his genius had been properly felt. He was the contemporary of some mighty names older than his, yet there scarcely was to be found among them all a spirit more thoroughly orig- inal ; and surely, when the paltry conflicts of passing taste are laid to rest for- ever, it will be found that this man has written his signature indelibly on one of the principal pages of the register of our intellectual history. lim md $£ flg