one so well played, seemed to me to be an unusual thing to find in that small and unpromising ranchhouse. I must have looked my surprise at Rush Kinney, for he laughed in his soft, Southern way, and nodded at me through the moonlit haze of our cigarettes.
“You don’t often hear as agreeable a noise as that on a sheep-ranch,” he remarked; “but I never see any reason for not playing up to the arts and graces just because we happen to live out in the brush. It’s a lonesome life for a woman; and if a little music can make it any better, why not have it? That’s the way I look at it.”
“A wise and generous theory,” I assented. “And Mrs. Kinney plays well. I am not learned in the science of music, but I should call her an uncommonly good performer. She has technic and more than ordinary power.”
The moon was very bright, you will understand, and I saw upon Kinney’s face a sort of amused and pregnant expression, as though there were things behind it that might be expounded.
“You came up the trail from the Double-Elm Fork,” he said promisingly. “As you crossed it you must have seen an old deserted jacal to your left under a comma mott.”
“I did,” said I. “There was a drove of javalis rooting around it. I could see by the broken corrals that no one lived there.”
