cannot rank higher than the Carlovingian era; though it is not quite so easy to determine how much more modern it may be. The same ornaments are found in the interior, and being integral parts of the ornamentation of the pointed roof, have led to various theories to account for this copying of classical details after the period at which it was assumed that the pointed arch had been introduced. It has been sufficiently explained above, how early this was the case as a
 | An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|History of Architecture in All Countries Vol 1.djvu/486}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |  |
313. Porch of Notre Dame de Doms, Avignon. (From Laborde's "Monuments de la France.")
vaulting expedient in this quarter; and that difficulty being removed, we may safely ascribe the whole of the essential parts of this church to a period not long, if at all, subsequent to the age of Charlemagne.
Next perhaps in importance to this, is the church of St. Trophime at Arles, the nave of which, with its pointed vault, probably belongs to the same age, though its porch (Woodcut No. 314), instead of being the earliest part, as in the last instance, is here the most modern, having been erected in the 11th century, when the church to which it is attached acquired additional celebrity by the translation of the body of St. Trophime to a final resting-place within its walls. As it is, it forms a curious and interesting pendent to the one last quoted, showing how in the course of two centuries the style had passed from debased Roman to a purely native form, still retaining a strong tradition of its origin, but so used and so ornamented that, were we not able to
