Page:Hudibras - Volume 1 (Butler, Nash, Bohn; 1859).djvu/222

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138
HUDIBRAS.
[PART II.

Diurnals writ for regulation
Of lying, to inform the nation,[1]
And by their public use to bring down
The rate of whetstones in the kingdom.[2]60
About her neck a packet-mail.
Fraught with advice, some fresh, some stale,
Of men that walk'd when they were dead,
And cows of monsters brought to bed:[3]
Of hail-stones big as pullets' eggs,65
And puppies whelp'd with twice two legs:[4]
A blazing star seen in the west,
By six or seven men at least.
Two trumpets she does sound at once,[5]
But both of clean contrary tones; 70
But whether both with the same wind,
Or one before, and one behind,
We know not, only this can tell,
The one sounds vilely, th' other well;
And therefore vulgar authors name 75
Th' one Good, th' other Evil Fame.

  1. The newspapers of those times, called Mercuries and Diurnals, were characterised by many of the contemporary writers as lying journals. Each party had its Mercuries: there was Mercurius Rusticus, and Mercurius Aulicus.
  2. Whetstone is a proverbial term, denoting an excitement to lying, or a subject that gave a man an opportunity of whetting his wit upon another. See Ray, in Handbook of Proverbs, p. 60. Thus Shakspeare makes Celia reply to Rosalind upon the entry of the Clown: "Fortune hath sent this natural for our whetstone; for always the dulness of the fool is the whetstone of the wits." Lying for the whetstone appears to have been a jocular custom. In Lupton's "Too good to be true" occur these lines: "Omen. And what shall he gain that gets the victory in lying? Syilla. He shall have a silver whetstone for his labours." See a full account in Brand's Popular Antiquities (Bohn's edit.), vol. iii. p. 389—393.
  3. Some stories of the kind are found in Morton's History of Northamptonshire, p. 447; Knox's History of the Reformation in Scotland; and Philosophical Transactions, xxvi. p. 310.
  4. To make this story as wonderful as the rest, we ought to read thrice two, or twice four legs.
  5. Chaucer makes Æolus, an attendant on Fame, blow the clarion of laud, and the clarion of slander, alternately, accoding to her directions; and in Pope's Temple of Fame, she has the trumpet of eternal praise, and the trumpet of slander.