their last stand, that their backs are up against the pitiless wall of what we call civilization. Human rights are triumphing over animal rights, and it would be hard to determine which rights are really superior or most worthy to survive.
Akeley came twenty-seven years ago into the midst of this unequal contest between the flesh and blood of the animal kingdom and the steel and lead of the sportsman, of the food and ivory hunter, and his sympathies were all on the animal side in the fight. If his sympathies had been on the human side he could not be the biographer of the African vanishing world who speaks in the pages of this volume, lost in admiration of the majesty of the elephant, the unchallenged reign of the lion, the beauty and grace of the antelope, the undaunted courage of the buffalo, and, last but not least, of certain splendid qualities in the native African hunter. We know of only one other sculptor who has immortalized the African Negro in bronze; this is Herbert Ward, whose splendid life work is now in the United States National Museum.
Similarly, Carl E. Akeley's life work will be assembled in the African and Roosevelt Halls of the American Museum, in human bronzes, in a great group of the elephant, in rhinoceroses and gorillas, each group representing his unerring portrayal of the character of the animal and his sympathetic admiration of its finest qualities. It is in making close observations for these groups that he has lived so long in Africa and come very close to death on three
