I laid a sheet of muslin and worked it carefully and painstakingly into every undulation of the mould. On this went thin layers of papier-mâché with the wire cloth reënforcement likewise worked carefully into every undulation of the mould. Every layer of the papier-mâché composition was carefully covered with a coating of shellac so that each layer, as well as the whole, was entirely impervious to water. For animals the size of a deer two layers of reënforced composition give strength enough. For animals the size of an elephant four are sufficient and four layers are only about an eighth of an inch thick. When the final coat of shellac was well dried I immersed the whole thing in water. The water affected nothing but the thin coating of glue between the mould and the muslin. That melted and my muslin-covered, reënforced papier-mâché sections of the manikin came out of the plaster mould clean and perfect replicas of the original clay model. The four sections of the manikin were assembled with the necessary leg irons and wooden ribs and the whole was ready for the skin.
The combination of glue and muslin was the key to the whole problem. The manikin so made is an absolutely accurate reproduction of the clay model, even more accurate than bronze castings for there is no shrinkage. The manikin of a deer so constructed weighs less than thirty pounds, but it is strong enough to hold a man's weight. I have sat on the back of an antelope mounted in this manner and done it no harm. Moreover, it is entirely made of clean and
