the Arcadia very nearly married him against his will; but first I must describe his boudoir.
We always called it Scrymgeour's boudoir after it had ceased to deserve the censure, just as we called Moggridge Jimmy because he was Jimmy to some of us as a boy. Scrymgeour deserted his fine rooms in Bayswater for the inn some months after the Arcadia Mixture had reconstructed him, but his chambers were the best on our stair, and with the help of a workman from the Japanese Village he converted them into an Oriental dream. Our housekeeper thought little of the rest of us while the boudoir was there to be gazed at, and even William John would not spill the coffee in it. When the boudoir was ready for inspection, Scrymgeour led me to it, and as the door opened I suddenly remembered that my boots were muddy. The ceiling was a great Japanese Christmas card representing the heavens; heavy clouds floated round a pale moon, and with the dusk the stars came out. The walls, instead of being papered, were hung with a soft Japanese cloth, and fantastic figures frolicked round a fireplace that held a bamboo fan. There was no mantel-piece. The room was very small; but when you wanted a blue velvet desk to write on, you had only to press a spring against the wall; and if you leaned upon the desk the Japanese workmen were ready to make you a new one. There
