pounced upon it, snapped it open, and the cartridges fell out. After a rapid examination, to make sure that the cylinder was empty, the Maestro snapped the weapon shut again and bounded back into the interior room, closing the door after him. Then his voice became icy and menacing. There was a sharp click; the protesting voice weakened into a faint wail, and there was silence.
"Huston," shouted the Maestro, "let me know when Señorita Constancia comes in."
But at the sound of the sweet name there was a scuffle inside. The door burst open, and Ledesma dived head first across the threshold; but a long muscular arm went out after him, grabbed him by the trousers, and jerked him back inside.
Again the Maestro's voice rose in a few crisp sentences, and there was no answer to them, only a faint snivelling, which diminished gradually. The door reopened slowly, and the Maestro and Ledesma came in together, arm in arm—that is, the Maestro's arm was twined flexibly but inexorably about Ledesma's limp member. Ferocious triumph beamed upon the face of the gentle pedagogue; Ledesma was wilted, tear-stained, and despairing. At the same moment, radiant, smiling, alert as a kitten, Señorita Constancia appeared at the outer door. She wore a long-train blue-silk skirt, a cream-coloured camisa through
