disreputables burst along the main street, they met a reception that halted them in uneasy distrust.
For out of all the houses, humble balay or grand casa, the populace was pouring holiday-decked, faces shining with welcome—man, woman, and child, tao and distinguido, all ranks, all sexes, all ages. White linen, shimmering jusis, diaphanous piñas united in fiesta colouring. Peace and rejoicing, a mild, ecstatic expectation, reigned upon all the faces; the niños and niñas especially were full of a goatlike hilarity and tumbled on the green amid the tulisanes, upsetting majors and colonels indiscriminately. And—could it be—was he blind?—no, it was true, indubitably true; before Gomez's eyes, in front of the Casa Popular and spanning the main street, a graceful bamboo arch of triumph rose against the pink dawn. And across the top, in six-foot letters of bejuca, was the following inscription:
To the Liberator of the Pueblo—the Inhabitants of Grateful Taal.
But out of the Casa Popular the municipal band was emerging in joyful blare, and Gomez had just time to compose himself into the pose of his new rôle before he was greeted by the presidente, dressed in church-day black, his head covered with the derby of
