Page:Journal of Negro History, vol. 7.djvu/92

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.

completed. By a vote of the African Methodist Episcopal Conference in 1872 the name was changed from Union Bethel to Metropolitan.

The same forces tending toward separation were at this time at work also among the Negro Baptist members in the white churches. This was the case of the First Baptist Church (white) organized in 1802. Its Negro members worshipped at first on the basis of equality with the whites, but this came to an end when the Negro members were assigned to the gallery, just as other churches of this time were gradually segregating them. When the new white Baptist Church, which was afterward sold and converted into a theater later known as Ford's Theater, was built on Tenth Street, the Negro communicants were given the gallery, but this was not satisfactory to the majority, who chafed under the new arrangement. O. B. Brown, the pastor, however, tried under the circumstances to treat the Negro members with as much charity as his prejudiced members would permit, as he was a kind-hearted man and did not believe in distinction on account of color. When the Tenth Street Church was occupied in 1833, therefore, these discontented members bought the old church on the corner of 19th and I Streets, Northwest, which is still held by that congregation and known throughout the country as the Nineteenth Street Baptist Church.

This was the first church of the denomination among the Negroes of the District of Columbia. It was organized August 29, 1839, by Sampson White, a Negro, assisted by John Healy and S. P. Hill, white pastors of Baltimore, and Moses Clayton, a Negro minister, who was the founder and pastor of the first Negro Baptist church of Baltimore. The original members were William Bush, Eliza Bush, Lavinia Perry and Emily Coke. The accession of Sampson

    an address by the pastor, Dr. Tanner, one by the presiding Bishop, John Albert Johnson, and an original poem by Dr. Robert E. Ford. The most spectacular number was the burning of the fourteen thousand dollar mortgage deed in the presence of the vast audience, the taper being applied by a committee of elderly members who had been connected with the church for a score or more of years.