of the framework so as to carry the covering out to certain lines. By careful planning some very complicated forms can be worked out. In the mounted knight, Fig. 53, the nose of the horse will be a straight stick, but the upper line of neck and lower part of head will be bent reed, and of good weight. The raised knee and foot are reed, while the under side of neck changes from the line of the breast by means of a string. The back of the foreleg on the ground is of string, while the extension of the stirrup might be of stiff paper. Much can be done with the brush. For instance, the dropping down of the rump to the tail would be curved, let the outline run angular, then with a heavy streak of color, give form. A little silver paper on the armor will spice it up wonderfully.
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Fig. 54.
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Fig. 55.
We might consider a mechanical model, an electric coupe, Fig. 54. The tires may be somewhat exaggerated and stationary, while the in-
