Chapter Ten:
A LANGUAGE T0 UNITE MANKIND.
The previous three chapters, dealing generally with Cubism and Futurism, have set the scene: the new art-forms were to change the world, not mirror it. In this, they were to parallel, in a certain sense, the achievements of modern science. The following chapters show how this world-changing desire expressed itself in Khlebnikov's work—in a way which was very much his own. This chapter deals with one example: Khlebnikov‘s attempts to create a language form which would abolish war and restore to man the lost unity of his primitive past. The chapter also introduces the theme of Khlebnikov's enthusiasm for Asia, associating it with his primitivism and his yearning for pre—civilized forms of human unity.
