in parts and full of picturesque effects. Golden lamps continually burn before the sacred places, and you rarely visit the church without seeing some procession of monks, with crosses, censers, and tapers, threading the shadowy passages, from shrine to shrine It is astonishing how many localities are assembled under one roof. At first, you are shown the etone on which Christ rested from the burden of the cross; then, the place where the soldiers cast lots for His garments, both of them adjoining the Sepulchre. After seeing this, you are taken to the Pillar of Flagellation; the stocks; the place of crowning with thorns; the spot where He met His mother; the cave where the Empress Helena found the cross; and, lastly, the summit of Mount Calvary. The Sepulchre is a small marble building in the centre of the church. We removed our shoes at the entrance, and were taken by a Greek monk, first into a sort of ante-chamber, lighted with golden lamps, and having in the centre, inclosed in a case of marble, the stone on which the angel sat. Stooping through a low door, we entered the Sepulchre itself. Forty lamps of gold burn unceasingly above the white marble slab, which, as the monks say, protects the stone whereon the body of Christ was laid. As we again emerged, our guide led us up a flight of steps to a second story, in which stood a shrine, literally blazing with gold. Kneeling on the marble floor, he removed a golden shield, and showed us the hole in the rock of Calvary, where the cross was planted. Close beside it was the fissure produced by the earthquake which followed the Crucifixion. But, to my eyes, aided by the light of the dim wax taper, it was no violent rupture, such as an earthquake would produce, and the rock did not appear to be the same as that of which Jerusalem
