Page:Language of the Eye.djvu/82

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64
THE LANGUAGE

but genius is one bright essence, indivisible; like the evening star, it dwells alone. Cicero says:—

All great men are in some degree inspired.

Trust that eye which gives you an idea its owner is at ease. Your admiration will increase on examination: there is beauty which accords with reason, and is not merely a creature of fancy. A well-formed forehead and open eye fears nobody, being itself power and generosity. Cicero says:—"There never was such a great man but by divine inspiration." This is the man who is above grief; abhors buffoonery; will never be unjust; and, if it were not for the compassion of his heart, he would be invulnerable.

He's armed without that's innocent within.—Horace.

Eyes which are large, open, and clearly transparent, and which sparkle with rapid motion, under sharply delineated eye-lids, certainly denote high qualities, quick discernment, elegance and taste, irritability, pride, and ardent love. This eye the Italians describe as Bellezze pelegrine.

Weak, small eye-brows, with little hair, and very long converse eye-lashes, betray their owners as mean and weak, and remind you of Shakespeare's words:—

Alas! how is it with you,
That you do bend your eye on vacancy,
And with the uncorporeal air do hold discourse?

The tranquil, powerful, quick glancing, mildly penetrating, calmly serene, languishing, melting, slowly moving eyes; eyes which vault against their casement, radiate as they move, and colour their object like themselves, and are a medium of exquisite or spiritual enjoyment, are never very round, nor entirely open, never deep sunken or far projecting, never have obtuse corners or sharp