Astley's. They came on with music, riding up the lanes till they arrived in front of this house, which being the principal place hereabouts, they came to first, and where the Indian workmen and servants were all collected to see them. They rode about for some time, as if in search of Christ, until a full length figure of the Saviour appeared, dressed in purple robes, carried on a platform by four men, and guarded on all sides by soldiers. It is singular, that after all there is nothing ridiculous in these exhibitions; on the contrary, something rather terrible. In the first place, the music is good, which would hardly be the case in any but a Mexican village, the dresses are really rich, the gold all real, and the whole has the effect of confusing the imagination into the belief of its being a true scene.
The next evening the same procession passed, with some additions, always accompanied by a crowd of Indians from the villages, men, women and children. Bonfires were made before the door of the hacienda, which were lighted whenever the distant music was heard approaching, and all the figures in the procession carried lighted lamps. The Saviour was then led up to the door, and all the crowd went up to kiss his feet. The figure which is carried about this evening is called "Our Saviour of the Column," and represents the Saviour tied to a pillar, bleeding and crowned with thorns. All this must sound very profane, but the people are so quiet, seem so devout and so much in earnest, that it appears much less so than you would believe. . . .
The cross was planted here in a congenial soil,
