already admitted, and which I have heard were supposed to be mine, and whom I take to be the gentleman who published an edition of Massinger.
The engraving[1] which you favoured me with is extremely elegant, and I have only to wish that I had better right to it by having attended the funeral of our excellent friend. The great distance I am from town, and some other reasons which disincline me from going there, were I assure you, the only reasons which prevented me. I beg you to present my best respects to Miss Palmer; and that you would believe me to be, with all sincerity, your highly obliged and very faithful servant,
If I can persuade myself to revise my translation again, I shall send you that revision in due time.
In the summer he made a journey to Oxford, in order as he would term pretty diligent work, to be idle. Business and pleasure were however conjoined; for while the mornings were passed in examining old books and manuscripts, the evenings called forth those hospitalities which several acquaintance familiar with his table in London were desirous to repay.
Several letters from Lord Charlemont during this year, indicate a pretty active correspondence His lordship smiles at Malone's idea of idleness—turns to Burke from whose politics he differs widely, being a strong Whig, yet a still stronger admirer of the great powers of his old friend—and concludes an interesting letter (August 20th, 1792) upon the stock subject of literature and prints.
- ↑ To each of the gentlemen attending the funeral of Sir Joshua a print was presented, engraved by Bartolozzi. It was a female figure clasping an urn, accompanied by the genius of painting, holding in one hand an extinguished torch, the other pointing to a sarcophagus, on the tablet of which is written—
“Succedet fama, vivusque per ora feretur.”
