In 1794, Flaxman returned from his seven years' stay in Italy, with well-stored portfolios, with more than ever classicized taste, and having made at Rome for discerning patrons those designs from Homer, Æschylus and Dante which were afterwards to spread his fame through Europe. He returned to be promoted R.A. at once, and to set up house and studio in Buckingham Street, Fitzroy Square,—then a new scantily-peopled region, lying open to the hills of Hampstead and Highgate. In these premises he continued till his death in 1826. Piroli, a Roman artist, had been engaged to engrave the above-mentioned graceful compositions from the poets. His first set of plates,—those to the Odyssey,—were lost in the voyage to England, and Blake was employed to make engravings in their stead, although Piroli's name still remained on the general title-page (dated 1793); probably as being likelier credentials with the public. Piroli subsequently engraved the Outlines to Æschylus, to the Iliad, 8ic. Blake's engravings are much less telling, at the first glance, than Piroli's. Instead of hard, bold, decisive lines, we have softer lighter ones. But on looking into them we find more of the artist in the one,—as in the beautiful Aphrodite, for instance, a very fine and delicate engraving,—more uniform mechanical effect in the other. Blake's work is like a drawing, with traces as of a pen; Piroli's the orthodox copperplate style. Blake, in fact, at that time, etched a good deal more than do ordinary engravers.
One consistent patron there was, whom it has become time to mention. Without his friendly countenance, even less would have remained to show the world, or a portion of it, what manner of man Blake was. I mean Mr. Thomas Butts, whose long friendship with Blake commenced at this period. For nearly thirty years he continued (with few interruptions) a steady buyer, at moderate prices, of Blake's drawings, temperas, and frescoes; the only large buyer the artist ever had. Occasionally he would take of Blake a drawing a week. He, in this way, often supplied the imaginative man with the bare
