accept even a handful of gold was generally accompanied by a desire for a draught of pure water or a night's rest.
It is pleasing to turn from this excessive sentimentality of thought and speech to the practical and concise diction of our time. We have learned to express ourselves with equal force, but greater simplicity. To illustrate this I have gathered from the poets of the earlier generation and from the prose writers of today parallel passages that may be fairly set in contrast. Here, for example, is a passage from the poet Grey, still familiar to scholars:
Back to its mansion call the fleeting breath?
Can honour's voice invoke the silent dust
Or flattery soothe the dull cold ear of death?"
Precisely similar in thought, though different in form, is the more modern presentation found in Huxley's Physiology:
"Whether after the moment of death the ventricles of the heart can be again set in movement by the artificial stimulus of oxygen, is a question to which we must impose a decided negative."
How much simpler, and yet how far superior
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