by Betterton, and Bajazet, Emperor of the Turks, in whom it was presumed Louis XIV. was exhibited, by Verbruggen. It was for a time regularly acted every 4th of November, the anniversary of the landing of William III.; but at length, when that King was dead and the two monarchies were at peace, the impropriety of such a distorted caricature of a great, though rival Sovereign, became manifest even to national prejudice, and the representation was discountenanced.
In the following year appeared "The Fair Penitent," the plot taken almost entirely from "The Fatal Dowry" of Massinger. This tragedy was so popular until within a very recent period, that it seems unnecessary to make any observations on its merit. The great fault of the play is that the action terminates with the fourth act. One of the characters, Lothario, was the foundation of the Lovelace of Richardson, which was more familiar to the readers of a past age than "Pendennis" or "Mr. Pickwick" are to those of the present.
A ludicrous incident happened in connection with the performance of this play the first season it was brought out. Lothario, after he is killed by Altamont in the fourth act, lies dead on the stage in the last. Such a situation is of course filled by one of the underlings in a theatre. Powell played Lothario, and Warren, his man, claimed the right of lying for his defunct master, and flattered himself he performed the part in a superior manner. One evening, the fifth act began as usual, and was proceeding successfully, when, about the middle of the distressful pourtrayal, Powell, behind the scenes, called aloud for his man, quite forgetful of the important part he was performing. Warren, from his bier upon the stage, answered instantly, "Here, Sir!" Powell, who was of an impatient temper, annoyed at his non-appearance, vociferated with an insulting expression: "Come here
