when one of Cibber's pamphlets came into the hands of Pope, who said: 'These things are my diversion.' They sat by him while he perused it, and saw his features writhen with anguish, and young Richardson said to his father, when they returned, that he hoped to be preserved from such diversion as had been that day the lot of Pope." Whereas Cibber could enjoy his own castigation, and would read to his friends the lines pointed at himself, interspersing them with humorous observations, which were as amusing to his auditory as they would have been galling to their object.
Pope now meditated a new edition of "The Dunciad," and was spurred on to the undertaking by another pamphlet, entitled "The Egotist, or Colley on Cibber," which Mr. Disraeli regards as Cibber's "Supplement to his Apology." In the latter end of 1743 "The Dunciad" appeared, in its altered and final state. Theobald had been dethroned from his painful pre-eminence, and Cibber raised to his place. Pope, in this instance, allowed his irascibility to cloud his judgment, and thus marred the whole design of the poem. Theobald, as its hero, was perhaps in his place, but to make Cibber the hero of dulness, was preposterous. He was without doubt open to attack in innumerable points, but he possessed one quality in which his superiority could enable him to laugh at all detraction, and that was the very reverse of dulness. The poem was accompanied by a long Discourse of Richard Aristarchus, intended as a reply to Cibber's attacks, written by Warburton, in which he aimed his blow at two antagonists at once, ridiculing Bentley in his manner, and Cibber in his matter. This called forth another letter from Cibber, which was the final effort in the strife.
Though the wonderful superiority of talent in Pope made the contest so unequal from the first, yet Cibber kept the laugh on his side throughout; and it may be
