a fame compared with which that of Socrates should be small. Paul was however afterwards visited by several of those who heard him before the Areopagus; and after a free, conversational discussion of the whole subject, and a more familiar exhibition of the evidences of his remarkable assertions, professed their satisfaction with the arguments, and believed. Among these, even one of the judges of the august Areopagus owned himself a disciple of Jesus. Besides him is mentioned a woman named Damaris; and others not specified, are said to have believed.
"Dionysius the Areopagite. Acts xvii. 34.—Dionysius is said to have been bred at
Athens in all the arts and sciences: at the age of twenty-five he went into Egypt to
learn astronomy. At the time of our Savior's death he was at Heliopolis, where,
observing the darkness that attended the passion, he cried out thus:—'That certainly,
at that time, either God himself suffered, or was much concerned for somebody
that did.' Returning to Athens he became one of the senators of the Areopagus;
he was converted by St. Paul, and by him appointed bishop of Athens. Having labored
and suffered much for the holy cause, he became a martyr to the faith, being
burnt to death at Athens, in the 93d year of Christ." (Cave's Lives of the Apostles.
Stanhope on Epis. and Gos. Calmet's Dictionary.)
From the grave manner in which this story is told, the reader would naturally suppose that these great writers had some authority for these incidents; but in reality, everything that concerns Dionysius the Areopagite, is utterly unknown; and not one of these impudent inventions can be traced back further than the sixth century.
After this tolerably hopeful beginning of the gospel in Athens,
Paul left that city, and went southwestward to Corinth, then the
most splendid and flourishing city of all Greece, and the capital
of the Roman province of Achaia. It was famous, beyond all the
cities of the world, for its luxury and refinement,—and the name
of "Corinthian" had, long before the time of Paul, gone forth as a
proverbial expression for what was splendid in art, brilliant in invention,
and elegant in vice.
Here first arose that sumptuous order of architecture that still perpetuates the proverbial elegance of the splendid city of its birth, and the gorgeously beautiful style of the rich Corinthian column, "waving its wanton wreath,"—may be taken as an aptly expressive emblem of the general moral and internal, as well as external characteristics of this last home of true Grecian art. Here longest tarried the taste, art and refinement, which so eminently marked the first glories of Greece, and when the triumphs of that ancient excellence were beginning to grow dim in its brighter early seats in Attica and in Ionian Asia, they flashed out with a most dazzling beauty in the splendid city of the Isthmus,—but alas!—in a splendor that was indeed only a passing flash,—a last brilliant gleam from this glorious spot, before the lamp of Hellenic glory in art, went out forever. In the day of
