II
As the five-minutes bell began, sounding like a continuous wind-note in the great vaults overhead, solemn and persistent, Mabel drew a long breath and leaned back in her seat from the rigid position in which for the last half-hour she had been staring out at the wonderful sight. She seemed to herself to have assimilated it at last, to be herself once more, to have drunk her fill of the triumph and the beauty. She was as one who looks upon a summer sea on the morning after a storm. And now the climax was at hand.
From end to end and side to side the interior of the Abbey presented a great broken mosaic of human faces; living slopes, walls, sections and curves. The south transept directly opposite to her, from pavement to rose window, was one sheet of heads; the floor was paved with them, cut in two by the scarlet of the gangway leading from the chapel of St. Faith—on the right, the choir beyond the open space before the sanctuary was a mass of white figures, scarved and surpliced; the high organ gallery, beneath which the screen had been removed, was crowded with them, and, far down beneath, the dim nave stretched the same endless pale living pavement to the shadow beneath the west window. Between every group of columns behind the choir-stalls, before her, to right, left, and behind, were platforms contrived in the masonry; and the exquisite roof, fan-tracery and soaring capital, alone gave the eye an escape from humanity. The whole vast space was full, it seemed, of delicate sunlight that streamed in from the artificial light set outside each window, and poured the ruby
