allowed to linger long enough to examine into the nature of their employment. Not one young voice was heard—not one young face turned to gaze on us. They were all still and indifferent as may be ghosts, through the midst of which pass unnoticed the forms of the living.
Quitting this hall, my guide led me through a gallery richly painted in compartments, with a barbaric mixture of gold in the colours, like pictures by Louis Cranach. The subjects described on these walls appeared to my glance as intended to illustrate events in the history of the race amidst which I was admitted. In all there were figures, most of them like the manlike creatures I had seen, but not all in the same fashion of garb, nor all with wings. There were also the effigies of various animals and birds wholly strange to me, with backgrounds depicting landscapes or buildings. So far as my imperfect knowledge of the pictorial art would allow me to form an opinion, these paintings seemed very accurate in design and very rich in colouring, showing a perfect knowledge of perspective, but their details not arranged according to the rules
