determined to make a prisoner of the Cardinal, and inflict upon him some undefined evil.
So far as the book is concerned apart from its central theme, the interest is held by the light touches of the loves of some charming people, and also of a very frivolous roué, the Marquis Fontenelle. This very "up-to-date" French nobleman is ultimately, to the relief of every one and the regret of few, killed in a duel with his own brother, the great actor Miraudin. To make this melodramatic incident as striking as possible the author kills both the brothers. The Marquis is a character who says and does what would seem to be impossible things. Notwithstanding his immoral propensities he has a certain pleasing fascination that almost inclines one to regard his faults with tolerance. His faults are many, but let it be said to his credit at least that he recognizes them. His views of men and women and love are extraordinarily callous and cynical, yet it is an absolute fact that the prototype of the Marquis Fontenelle exists, and holds and openly expresses the views to which in this book he is made to give utterance. And, evil as he is, he also is conquered at the last by the true character of a sweet, pure, womanly woman. It is such who conquer all evil.
