Both as instrumentalist and vocalist Miss Corelli could have been sure of a large measure of success. Principally she loves the old English and Scotch ballads; listening to her as she sings such songs to her own accompaniment in her dainty drawing-room at Mason Croft, it is pleasant to observe how very feminine she is, how paramount is the Woman in her nature.
That the young girl was ambitious goes without saying. During her holidays from school, she wrote the score of an opera, which was called Ginevra Da Siena. About the same time she produced numerous verses and short poems which brought high praise from that competent judge, Dr. Mackay. Moreover, she wrote in her very young days three sonnets on Shakespearean plays, these being approved, praised, and published by Mr. Clement Scott in The Theatre.
It soon appeared, however, that the little convent maid had done too much for her strength. Athletic exercises would have been better in those early days than the excess of brain-work to which she set herself, absolutely from inclination and of her own free will. Under the great strain her health broke down, and she was compelled to return from school for a spell of rest, carrying with her, however, impressions
