- past, are not absolutely necessary to the plot's working.
In Book II.—"The Land of Mockery"—a new set of people is introduced, society people mostly, and their servants. In Book III.—"The Land of the Long Shadow"—the reader is taken to Norway in the winter, the novelist appropriately and strikingly making Nature's moods harmonize with those of her pen-and-ink creations.
Miss Corelli lays on her colors with an unsparing brush—there is nothing half-and-half in her characterization. There are four "principals" in this play. Lady Winsleigh, as opposed to Thelma, fills a rôle full of wrongful possibilities in that she portrays "a woman scorned," than whom, as we are asked to believe, Hell hath no fury whose malevolence is of a worse description. Sir Francis Lennox is, in wrong-doing, her masculine counterpart; and to balance him we have Thelma's husband, an excellent fellow who makes a fool of himself in a truly bewildering manner. His behavior in endeavoring to bring about a reconciliation between his secretary and his secretary's wife—the actress already referred to—is the weak spot in the book.
Much, however, that displeases the critical sense—which is fortunately not the predominating mental attribute of the novel-reading public—is obliterated by Thelma's womanliness and attractively gentle
