phorosia vnderstanding, answered, that the like had chaunced vnto them, and they departed not from the feaste before eche of them knewe him that was their louer: whereby they perceiued that his woordes preceded not of faithful Loue, but rather of follie and dissimulation, and they separated not from thence vntill all three with one accorde, had conspired every one to give him mocke.' Each of the ladies then sends Philenio an invitation to visit her and each tricks him when he comes to her house. Esmerentiana's husband returns unexpectedly, and she claps Philenio into a hiding-place which she had filled with 'fagots of sharp thorns.' Panthemia leads him into a closet, and a loose board in the floor precipitates him into an outhouse, where he spends a miserable night. Simphorosia gives him drugged wine, which he drinks all unsuspecting. Her servants then strip him and fling him into the street, where he lies unconscious until morning.
Another element in Shakespeare's plot, which may have been suggested by several contemporary stories, is that of the lover who unwittingly confides his plans to the jealous husband of his lady. This theme is found in the Tale of the two lovers of Pisa in Tarlton's Newes out of Puryatorie, a collection of stories published in 1590. In this tale, Mutio, an old doctor of Pisa, discovers that Lionello is courting Margaret, the beautiful woman he has just married. Lionello informs his friend of his plans for meeting Margaret, so Mutio is able to break in upon them each time. Margaret is quick of wit, and manages to conceal her lover—once in a 'dry-vat' full of feathers; again 'between two ceilings of a chamber,' and finally in an old chest where valuable papers are stored. This time Mutio is sure Lionello is in the house, so he sets fire to the room, and Margaret saves her lover by bidding the servants carry out the chest.
