Years ago dances were divided into two groups, the "Round" and the "Square." The latter were usually danced by a number of couples arranged in the form of a square, and the various movements were "called out" by the leader of the orchestra. The Quadrille, the Lancers, and the Caledonia were among the most familiar examples, while the German, or Cotillion, constitutes a dance by itself.
"Round" dances comprised the Waltz, the Polka, the Yorke, and the Schottische, the Varsuvienne, and the Gallop. Practically none of these dances is seen nowadays. For this we are duly thankful; even though Gavottes, Mazurkas, and Minuets could be modified and made quite charming. As they exist now they are pleasant to watch, but our tired business men would probably fall fast asleep while dancing the Minuet.
Objections to dancing have been made on the ground that it is wrong, immoral, and vulgar. This it certainly is not—when the dancers regard propriety. It is possible to make anything immoral and vulgar; all depends on how it is done.
A vulgar man or woman betrays lack of breeding even in walking across the room; sitting down may be performed in a vulgar manner, or any other smallest act. The modern dances properly danced are not vulgar; on the contrary, they em-
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