keep opposite each other as much as possible, and do not turn abruptly. The figure should be danced in a square. If you take the four walls of the room as your guide, you will find the step much easier to learn. The gentleman should keep his right hand very loosely at the lady's back, so that she can turn with ease.
THE SPIN
This is probably the most important step of all, yet there are very few people who do it correctly. One main point you must bear in mind, and that is only to spin on one foot. A peg-top could not spin well if it had two pegs, and it is the same with us. It is absolutely necessary for both lady and gentleman to use the right foot. Now both these feet must be close together. With the left foot you propel yourself round—the gentleman holding his partner closely and bringing her round with a steady pull.
Of course, I need hardly say that you must keep time to the music. As can be seen by the photograph which illustrates this step (and which, by the way, was taken by flash-light in the 160th part of a second, and shows Mrs. Castle and myself whirling at a very great speed), you can either spin on your toe or your heel. It does not matter
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