Page:Morella - Tales of the Grotesque and Arabesque 1840.djvu/3

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MORELLA.
11

then hour after hour would I linger by her side and dwell upon the music of her voice—until, at length, its melody was tainted with terror—and fell like a shadow upon my soul—and I grew pale, and shuddered inwardly at those too unearthly tones. And thus joy suddenly faded into horror, and the most beautiful became the most hideous, as Hinnon became Ge-Henna.

It is unnecessary to state the exact character of those disquisitions which, growing out of the volumes I have mentioned, formed, for so long a time, almost the sole conversation of Morella and myself. By the learned in what might be termed theological morality they will be readily conceived, and by the unlearned they would, at all events, be little understood. The wild Pantheism of Fichte; the modified Παλιγγενεσια of the Pythagoreans; and, above all, the doctrines of Identity as urged by Schelling, were generally the points of discussion presenting the most of beauty to the imaginative Morella. That identity which is termed personal, Mr. Locke, I think, truly defines to consist in the sameness of a rational being. And since by person we understand an intelligent essence having reason, and since there is a consciousness which always accompanies thinking, it is this which makes us all to be that which we call ourselves—thereby distinguishing us from other beings that think, and giving us our personal identity. But the principium individuationis—the notion of that identity which at death is or is not lost forever, was to me, at all times, a consideration of intense interest, not more from the