he had just waked up and a wind with music in it was coming across green hills brave in a clean dawn. Simple, like that.
She moved at last against his arm. “Maybe I can climb ın now. You better gimme a push, I guess.” His hand found her knee, slid down, and she raised her foot to his palm. He saw her flat boy’s body against the stars rising, and she was in the boat, leaning down to him. “Catch my hands,” she said, extending them, but for a time he didn’t move at all, but only clung to the gunwale and looked up at her with an utter longing, like that of a dog.
......
Mrs. Maurier lay in bed in her darkened room. There was a port just over the bed and a long pencil of moonlight came slanting through it, shattering upon the floor and filling the room with a cold, disseminated radiance. Upon the chair, vaguely, her clothes: a shapeless, familiar mass, comforting; and about her the intimate familiarity of her own possessions—her toilet things, her clothing, her very particular odor with which she had grown so familiar that she no longer noticed it at all.
She lay in bed—her bed, especially built for her, was the most comfortable on board—surrounded, lapped in security and easeful things, walled and secure within the bland, hushed planes of the bulkheads. A faint, happy sound came in to her: little tongues of water lapping ceaselessly alongside the yacht, against her yacht—that island of security that was always waiting to transport her comfortably beyond the rumors of the world and its sorrows; and beyond the yacht, space: water and sky and darkness and silence; a worn cold moon neither merry nor sad. . . . Mrs. Maurier lay in her easy bed, within her comfortable room, weeping long shuddering sobs: a passive terrible hysteria without a sound.
