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MOSQUITOES
253

everything else, too. The only people who should be allowed an opinion on poetry should be poets. But as it is. . .But then, all artists have to suffer it, though: oblivion and scorn and indignation and, what is worse, the adulation of fools.”

“And,” added the Semitic man, “what is still worse: talk.”

twelve o'clock

“You must get rather tired of bothering about it,” Fairchild suggested as they descended toward lunch. (There was an offshore breeze and the saloon was screened. And besides, it was near the galley.) “Why don’t you leave it in your state-room? Major Ayers is pretty trustworthy, I guess.”

“It’ll be all right,” Pete replied. “I’ve got used to it. I’d miss it, see?”

“Yes,” the other agreed. “New one, eh?”

“I’ve had it a while.” Pete removed it and Fairchild remarked its wanton gay band and the heavy plaiting of the straw.

“I like a panama, myself,” he murmured. “A soft hat. . . . This must have cost five or six dollars, didn’t it?”

“Yeh,” Pete agreed, “but I guess I can look out for it.”

“It’s a nice hat,” the Semitic man said. “Not everybody can wear a stiff straw hat. But it rather suits the shape of Pete’s face, don’t you think?”

“Yes, that’s so,” Fairchild agreed. “Pete has a kind of humorless reckless face that a stiff hat just suits. A man with a humorous face should never wear a stiff straw hat. But then, only a humorless man would dare buy one.”

Pete preceded them into the saloon. The man’s intent was kindly, anyway. Funny old bird. Easy. Easy. Somebody’s gutting. Anybody’s. Fairchild spoke to him again with a kind of tactful persistence:

“Look here, here’s a good place to leave it while you eat.