crumble, disappear, and every trace of them is obliterated in a brief century or two. The Chinese rebuild, or move on and build elsewhere, but they do not repair. Their style and scheme of architecture never alter. The tent-like roofs (or ship-prow survivals—have it as you will, for no one knows), painted as gayly as the roofs of Moscow, make all China tuliptinted, and looking from a hillside at a Chinese city is often oddly like looking down upon the Kremlin. It is very beautiful, and it looks old. But unlike the Muscovite city, it is all new.
But this house of Wu, where both the old man and his grandson had been born, was far older than a house in China often is. The Wus were a tenacious race, even in much that their countrymen usually let slide; and here, in these same buildings, or in others built on the same site, the Wus had made their stronghold and kept their state since before the great Venetian came to China to learn and to report her and her cause aright.
And it was because of this, far more than because his old bones ached and his breath cut and rasped in his side, that Wu Ching Yu chose to take here what must be a long and might well be a last farewell.
The actual "good-by" was said standing beside the costly coffin which had been the man's gift from his wife the year their son was born. Wu the grandson had played beside it when still almost a baby. He knew its significance, its great value, and that there was no finer coffin in China. The precious Shi-mu wood, from one solid piece of which it had been carved, was hidden beneath layer after layer of priceless lacquer and Kwei-*chow varnish, both inside and out. And little Wu, who knew each of its elaborate, fantastic details as well as if it had been a favorite picture-book, had never been able to determine which was the more gorgeous—the
