forehead would burst. She seemed contracted, petrified. She did not move. "Tell me the truth," he repeated, when suddenly that old man Breitkopf popped his head in carrying the Times; stared at them; gaped; and went away. They neither of them moved. "Tell me the truth," he repeated. He felt that he was grinding against something physically hard; she was unyielding. She was like iron, like flint, rigid up the backbone. And when she said, "It's no use. It's no use. This is the end"—after he had spoken for hours, it seemed, with the tears running down his cheeks—it was as if she had hit him in the face. She turned, she left him, went away.
"Clarissa!" he cried. "Clarissa!" But she never came back. It was over. He went away that night. He never saw her again.
It was awful, he cried, awful, awful!
Still, the sun was hot. Still, one got over things. Still, life had a way of adding day to day. Still, he thought, yawning and beginning to take notice—Regent's Park had changed very little since he was a boy, except for the squirrels—still, presumably there were compensations—when little Elise Mitchell, who had been picking up pebbles to add
