cherishing all things; she hastens on, arousing footed creatures, and makes the birds fly aloft. . . . The flying birds no longer rest after thy dawning, O bringer of food (?). She has yoked her horses from the remote rising-place of the sun. . . . Resplendent on thy massive car, hear our invocations." Ushas is "like a fair girl adorned by her mother. . . . She has been beheld like the bosom of a bright maiden. . . . Born again and again though ancient, shining with an ever uniform hue, she wasteth away the life of mortals." She is the sister of Night, and the bright sun is her child. There is no more pure poetry in the Vedic collections than that which celebrates the dawn, though even here the Rishis are not oblivious of the rewards paid to the sacrificial priests.[1] Dawn is somewhat akin to the Homeric Eos, the goddess of the golden throne,[2] she who loved a mortal and bore him away, for his beauty's sake, to dwell with the immortals. Once Indra, acting with the brutality of the Homeric Ares, charged against the car of Ushas and overthrew it.[3] In her legend, however, we find little but pure poetry, and we do not know that Ushas, like Eos, ever chose a mortal lover. Such is the Vedic Ushas, but the Brahmanas, as usual, manage either to retain or to revive and introduce the old crude element of myth. We have seen that the Australians account to themselves for the ruddy glow of the morning sky by the hypothesis that dawn is a girl of easy virtue, dressed in the red opossum-skins she has received from her
- ↑ Rig-Veda, i. 48, 4.
- ↑ Rig-Veda, i. 48, 10.
- ↑ Rig-Veda, iv. 30, 8; Ait. Br., iv. 9.
