dealers, I do believe it would have paid you a profit;" from which it may be inferred that "Fanshawe" was the anonymous work which had attracted Goodrich's attention. He praises the tales, and offers thirty-five dollars for "The Gentle Boy" to be used in "The Token." The first letter from Hawthorne, in respect to the matter, which has come to light, is on May 6, 1830, and is given in Derby's "Fifty Years."
"I send you the two pieces for 'The Token.' They were ready some days ago, but I kept them in expectation of hearing from you. I have complied with your wishes in regard to brevity. You can insert them (if you think them worthy a place in your publication) as by the author of 'Provincial Tales,'—such being the title I propose giving my volume. I can conceive no objection to your designating them in this manner, even if my tales should not be published as soon as 'The Token,' or, indeed, if they never see the light at all. An unpublished book is not more obscure than many that creep into the world, and your readers will suppose that the 'Provincial Tales' are among the latter." The "two pieces" to which he refers were clearly not members of the series he proposed to publish in the book, and perhaps they should be identified as "Sights from a Steeple," certainly, and for the other either "The New England Village" or "The Haunted Quack," both which, besides the first, were published in "The Token" for 1831, and have been
