Page:Native Tribes of South-East Australia.djvu/573

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IX
INITIATION CEREMONIES, EASTERN TYPE
547

to the name of the totem. Others were prefaced by pantomimic representations of the totem animal, bird, or reptile. Thus there was a dance to the word Yirai-kapin, the dog's tooth, referring to the "ravenous tooth which devours everything." It commenced with the life-like howling of a dingo in the forest, answered by other dogs on the other side. Then nearer, till a man ran into the firelight on all fours, with a bush stuck in his belt behind, to represent a dingo's tail. Others followed, till half a score were running round the fire, smelling each other, snarling and snapping, scratching the ground, in fact representing the actions of wild dogs, until the medicine-man leading them sprang to his feet, clapped his hands, vociferating in, measured tones, "Yirai-kapin." While he danced, the others followed him, dancing round him, and the usual totem dance was made.

Another was the crow dance, in which men, with leaves round their heads, croaked like those birds, and then danced; the owl dance, in which they imitated the hooting of the Takula, owl; the lyre-bird dance, and that of the stone-plover. Finally, there was the dance of the rock-wallaby, which was pantomimic.

In this the rock-wallaby were at first concealed in the shadows to the right front of the fire, that is, looking north from where I sat. Brupin and Yibai-malian were the principal performers, the animals being represented by two or three of that totem, with other men helping them. Yibai had charge of the rock-wallaby, and Brupin tried, in a grotesque manner, to entice them from him, while talking to the former. When they ran to Brupin's side, Yibai threatened him, and they had a comic combat, as if with club and shield. So it went on till all the wallaby had been enticed from Yibai, who evinced his grief at the loss in the most comical manner. It ended with the usual dance to the word Yalonga, that is, rock-wallaby.

Some of the pantomimes were curious, particularly one which represented a Gommera curing a sick child, which was a small log which one of the old men had taken from the fire and carried in his arms to and fro, imitating the crying of a sick child. Several of the men came up and imitated