Page:Negro poets and their poems (IA negropoetstheirp00kerl).pdf/127

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THE PRESENT RENAISSANCE
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comes to me in my profoundest slumbers and gently awakens my highest faculties to the finest thought and serenest contemplation herein expressed. Always remember that a book is your best friend when it compels you to think, disenthralls your reason, enkindles your hopes, vivifies your imagination, and makes easier all the burdens of your daily life.”

IV. William Stanley Braithwaite

The critical and the creative faculties rarely dwell together in harmony. One or the other finally predominates. In the case of Mr. Braithwaite it seems to be the critical faculty. He has preferred, it seems, to be America’s chief anthologist, encouraging others up rugged Parnassus, rather than himself to stand on the heights of song. Since 1913 he has edited a series of annual anthologies of American magazine verse, which he has provided with critical reviews of the verse output of the respective year. Of several anthologies of English verse also he is the editor. Three books of original verse stand to his credit: Lyrics of Life and Love (1904). The House of Falling Leaves (1908), and Sandy Star and Willie Gee (1922). These dates seem to prove that the creative impulse has waned.

Verse artistry, in simple forms, reaches a degree of excellence in Mr. Braithwaite’s lyrics that has rarely been surpassed in our times. Graceful and esthetically satisfying expression is given to