Page:Nollekens and His Times, Volume 2.djvu/130

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118
NOLLEKENS'S CONTEMPORARIES.

met with so little encouragement in this country, that after disposing of his property in Margaret-street, he quitted England for Rome, where he continued to practise as a Sculptor until the breaking out of the French Revolution, when he became so violent a partizan and so desperate, that he was condemned to death as the leader of the conspirators connected with the infernal machine contrivance, and was guillotined at Paris in 1801. Ceracchi continued so frantic to the last, that he actually built himself a car, in which he was drawn to the place of execution in the habit of a Roman Emperor. David, the French Painter, with whom Ceracchi had lived in intimacy, was called to speak to his character; but he declared he knew nothing of him beyond his fame as a Sculptor.