ages, had their root and origin in the ancient myth given above.
No myth can be clearer than this one of Balder. The Younger Edda says distinctly that he is so fair and dazzling in form and features that rays of light seem to issue from him. Balder, then, is the god of light, the light of the world. Light is the best thing we have in the world; it is white and pure; it cannot be wounded; no shock can disturb it; nothing in the world can kill it excepting its own negative, darkness (Hoder). Loke (fire) is jealous of it; the pure light of heaven and the blaze of fire are each other's eternal enemies. Balder does not fight, the mythology gives no exploits by him; he only shines and dazzles, conferring blessings upon all, and this he continues to do steadfast and unchangeable, until darkness steals upon him, darkness that does not itself know what harm it is doing; and when Balder is dead, cries of lamentation are heard throughout all nature. All nature seeks light. Does not the eye of the child seek the light of the morning, and does not the child weep when light vanishes, when night sets in? Does not this myth of Balder repeat itself in the old man, who like Gœthe, when death darkened his eyes, cried out: mehr licht (more light)? Does not the eagle from the loftiest pinnacle of the mountain seek light? The lark soars on his lofty pinions and greets in warbling notes the king of day welcome back into his kingdom. The tree firmly rooted in the ground strains toward the light, spreading upward in search of it. The bird of passage on his free wing flies after and follows the light. Is it not the longing after light that draws the bird southward in the fall when the days shorten in the north, and draws the little wanderer back again as
