- pletest reflection in this stone-hearted myth about
Hrungner and Thor.
Hrungner on his horse Goldfax, racing with Odin and Sleipner, in the most perfect manner represents the Roman poetastry, reveling in the wealth robbed from the nations of the earth, in rivalry with the genuine Greek poetry and philosophy; for Sleipner is Pegasos; and when the Roman poetasters are in the hight of their glory Hrungner is entertained at Asgard, drunk and crazy, bragging and swearing that he will put all the gods to death excepting Sif (Fortuna) and Freyja (Venus), destroy Asgard and move Valhal to Jotunheim; or, in other words, Venus and Fortuna are the only divinities that shall be worshiped; all religion (Asgard) shall be rooted out and history (Valhal) shall only serve to glorify Rome.
But in the course of time the North begins to take part in determining the destinies of the world; Thor comes home, and shortly afterwards a duel is fought between the Goth and Roman (Vandal) in which Rome is worsted, which could not be expressed more fitly than by the fortunate blow of Mjolner, which crushes the stone-hearted and stone-headed Giant (Roman Vandalism).
But the Goth becomes Romanized, he becomes a slave of Roman thought and Roman civilization, and thus Hrungner falls upon Thor, with his foot upon Thor's neck, until his son Magne comes and takes it away. Magne is the Anglo-Saxon who created a Gothic Christianity and a Gothic book-speech; and well might the Anglo-Saxon be called Magne, son of Asathor and the hag Jarnsaxa, for Magne is the mythical representation of the mechanical arts, which have received their most perfect development in England and America (the Anglo-Saxons). And we need only to look at the literature of
