man's divine work in life, in a quiet manner to bring consolation and comfort, and never to despair.
As the earth and sea in their various manifestations are represented by various divinities, so the fire also presents various forms. It is celestial, united with Odin; it is earthly in the Fenris-wolf, and it is subterranean in the chained Loke. That Loke symbolizes fire, is also illustrated by the fact that the common people in Norway, when they hear the fire crackling, say that Loke is whipping his children. In a wider sense Loke is in one word the evil one, the devil. The common people also know Loke as a divinity of the atmosphere. When the sun draws water, they say that Loke is drinking water. When vapors arise from the earth and float about in the atmosphere, this phenomenon is also ascribed to Loke. When he sows his oats among the grain, he produces a peculiar aërial phenomenon, of which the novelist Blicher speaks in one of his romances, saying that this trembling motion of the air, which the people call Loke's oats, confuses and blinds the eyes. Nay, truly it confuses and blinds, for we need not take this only in a literal sense. It is that motion which shocks the nerves of man when the soul conceives evil thoughts; it is that nervous concussion which shocks the whole system of the criminal when he goes to commit his foul misdeed.
Having now given a description of Loke,—having painted with words the character of this wily, mischievous, sly and deceitful divinity,—we ask, with Petersen, where is the painter who will present him in living colors on canvas? We want a personal representation of him. We want his limbs, his body and his head. Where is the painter who can give his chin the proper form, his mouth the right shape, paint his dimples with those
