Danaïdes must fill a cistern that has holes in the bottom; all the water they pour in runs out equally fast. Sisyphos, sweating and all out of breath, rolls his huge stone up the mountain side; when he reaches the summit, the stone rolls down again.
The fundamental idea is always the same. It is always punishment for sin; but it is expressed and illustrated in many different ways. The variety enhances the beauty. The Greek mythology is rich, for profuseness of illustration is wealth. The Norse mythology is poor, because it is so strong; it consumes all its strength in the profoundness of its thought. The Norse mythology excels in the concentratedness and strength of the whole system; the Greek excels in the beauty of the separate groups of myths. The one is a religion of strength, the other of beauty.
The influence that the outward features of a country exercise upon the thoughts and feelings of men, especially during the vigorous, imaginative, poetic and prophetic childhood of a nation, can hardly be overestimated. Necessarily, therefore, do we find this influence affecting and modifying a nation's mythology, which is a child-like people's thoughts and feelings, contemplating nature reflected in a system of religion. Hence, it is eminently fitting, in comparing the Norse mythology with the Greek, to take a look at the home of the Norsemen. We, therefore, cordially invite the traveler from the smooth-beaten tracks of southern Europe to the mountains, lakes, valleys and fjords of Norseland. You may come in midsummer, when Balder (the summer sunlight) rules supreme, when the radiant dawn and glowing sunset kiss each other and go hand in hand on the mountain tops; but we would also invite you to tarry until Balder is slain, when the
