Page:Norse mythology or, the religion of our forefathers, containing all the myths of the Eddas, systematized and interpreted with an introduction, vocabulary and index.djvu/97

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  • foundest and most poetic myth is that of the warlike

Mars and the rapacious wolf, the father and nurse of the fratricide Romulus. This myth is prophetic, and in it the whole history of Rome is reflected as in a mirror. The Romans themselves claim that their Sibylline books (prophecy) belong to the time of their kings. When, during the transition period from the emotional to the philosophic age, Rome was to have dramatic writers, she produced in comedy the clumsy Plautus, whom the Romans employed in turning a hand-mill; and in tragedy the flat Ennius, whose works were lost; so that her only really poetical tragedy is the fate of her dramatic poets. Her other poetical works, of which the world has boasted so much, came later, after the death of Cicero, their most famous orator, during the life of the crowned Augustus; they came like an Iliad after Homer, and the most of them was a poor imitation of Greek literature, just as this book is a poor imitation of Scandinavian literature. Ex ipso fonte dulcius bibuntur aquæ—go to the fountain itself if you want to drink the pure and sparkling water. The Roman literature is eminently worthy of the consideration of the historical philosopher, but it ought not to be canonized and used to torture the life out of students with.

The Hebrews have their imaginative, poetic and prophetic age from Genesis to Moses; their emotional and historical age from Moses to Solomon, and then begins their age of reflection and philosophy.

Taking a grand, colossal, general view of the history of the world, we would say that the ancients belong chiefly to the poetic age, the middle ages to the emotional and modern times to the reflecting age, of the human race. Thus the life of the individual is, in