upon their wands. In front of them, upon a lower table, stood five others, colored respectively, yellow, red, black, white, and blue, the five far eastern elemental colors. The upper row represented the gods of construction, placed here to keep an eye on the scaffolding; the lower, the gods of the earth. Flanking the gohei stood two branches of sakaki, the sacred tree of Shintō, draped with lace-like filaments of gohei. At the corners of the platform four tufted bamboo, joined by a straw-rope hung with gohei, made a second palisade, miniature of the one below; while from a pole at the back floated a banner inscribed: Heavenly Gods, Earthly Gods.
Half way up the scaffold two paper placards, one on either side the ladder, challenged the eye. The right-hand one gave the functions and functionaries of the festival: the Principal Purifier, the Vice-Purifier, the Chief of Offerings, the Purifying Door, and the God-Arts; the offices preceded, the names of the persons followed. The other specified the various functions of the God-Arts themselves, and the names of those who bore them, a certain Mr. Konichi being down as Drawing the Bow. This, it seemed, was to
