- μενος, later poets have slavishly followed
Homer into irregularities suggested by his peculiar metre. Whether Homer's ᾱθανατος, αμμορος . . . rose out of ανθάνατος, ἄνμορος . . . is wholly unimportant when we remember his Ᾱπόλλωνος.
But this leads to remark on the acuteness of Mr Arnold's ear. I need not ask whether he recites the Α differently in Ἆρες, Ἄρες, and in, Ᾰπόλλων Ᾱπολλωνος. He will not allow anything antiquated in Homer; and therefore it is certain that he recites,
αιδοιος τε μοι εσσι, φιλε εκυρε, δεινος τε
and—ουδε εοικε—
as they are printed, and admires the rhythm.
When he endures with exemplary patience
such hiatuses, such dactyls as ἑεκυ, ουδεε,
such a spondee as ρε δει, I can hardly
wonder at his complacency in his own
spondees "Between," "To a." He finds
nothing wrong in και πεδια λωτευντα or πολλα
λισσομενη. But Homer sang,
φιλε swεκυρε δwεινος τε—ουδε wεwοικε—
και πεδια λλωτευντα . . . πολλα λλισσομενη.
Mr Arnold is not satisfied with destroying Quantity alone. After theoretically substituting Accent for it in his hexameters, he robs us of Accent also; and presents to us the syllables "to a," both short and both necessarily unaccented, for a Spondee, in a
