being possible, we ought not to cease wishing for a source of pleasure which no prose-translation can ever hope to rival.
Wishing for such a verse-translation of Homer, believing that rhythms have natural tendencies which, within certain limits, inevitably govern them; having little faith, therefore, that rhythms which have manifested tendencies utterly un-Homeric can so change themselves as to become well adapted for rendering Homer, I have looked about for the rhythm which seems to depart least from the tendencies of Homer's rhythm. Such a rhythm I think may be found in the English hexameter, somewhat modified. I look with hope towards continued attempts at perfecting and employing this rhythm; but my belief in the immediate success of such attempts is far less confident than has been supposed. Between the recognition of this rhythm as ideally the best, and the recommendation of it to the translator for instant practical use, there must come all that consideration of circumstances, all that pliancy in foregoing, under the pressure of certain difficulties, the absolute best, which I have said is so indispensable to the critic. The hexameter is, comparatively, still unfamiliar in England; many people have a great dislike to it. A certain degree of unfamiliarity, a certain degree of dislike, are obstacles with which it is not wise to contend. It is difficult to say at present
