I have already quoted, 'be appreciated by the scholar accustomed to test a translation rigidly by comparison with the original, to look perhaps with excessive care to finish in detail rather than boldness and general effect, and find pardon even for a version that seems bare and bold, so it be scholastic and faithful'. But, if the scholar in judging a translation looks to detail rather than to general effect, he judges it pedantically and ill. The appeal, however, lies not from the pedantic scholar to the general public, which can only like or dislike Chapman's version, or Pope's, or Mr Newman's, but cannot judge them; it lies from the pedantic scholar to the scholar who is not pedantic, who knows that Homer is Homer by his general effect, and not by his single words, and who demands but one thing in a translation,—that it shall, as nearly as possible, reproduce for him the general effect of Homer. This, then, remains the one proper aim of the translator: to reproduce on the intelligent scholar, as nearly as possible, the general effect of Homer. Except so far as he reproduces this, he loses his labour, even though he may make a spirited Iliad of his own, like Pope, or translate Homer's Iliad word for word, like Mr Newman. If his proper aim were to stimulate in any manner possible the general public, he might be right in following Pope's example; if his proper aim were to help
