quaint old market-town of Baldock, driving down its spacious and sunny main street, which we noticed with pleasure was lined with trees, and bound by irregular-roofed buildings, mellowed by age into a delicious harmony of tints. Nature never mixes her colours crudely. I know no better study of colour harmonies than the weather-painting of a century-old wall, with its splashes of gold, and silver, and bronze lichen, its delicate greens and grays, its russets and oranges, and all the innumerable and indescribable hues that the summer suns and winter storms of forgotten years have traced upon its surface—hues blending, contrasting, and commingling, the delight of every true artist, and his despair to depict aright. With buildings age is the beautifier; even Tintern, with its roofless aisles and broken arches, could not have looked half as lovely in the full glory of its Gothic prime, when its walls were freshly set, its sculptures new, and traceries recently worked, as it looks now. No building, however gracefully designed, can ever attain the perfection of its beauty till Time has placed his finishing touches thereon, toning down this and tinting that, rounding off a too-sharp angle here, and making rugged a too-smooth corner there, adorning the walls with ivy and clinging creepers, and decorating the roof with lustrous lichen!
Baldock had such a genuine air of antiquity about it, with its ancient architecture and slumberous calm, so foreign to the present age, that we felt that without any undue strain upon the imagination we could picture ourselves as medieval travellers
