THE MAGIC OF FAME thatch. Welsh slates are bad enough, but, alas! there is even a lower depth of ugliness. Corrugated iron is still more hideous, and this I sadly note is coming into use as a roofing material; it is cheap and effectual, absolutely waterproof—and such an eyesore! How is it that things are so seldom cheap and beautiful—truly there are exceptions, but these only prove the rule—are these two qualities sworn enemies? If only the Welsh slates were of the delicious greeny-gray tint of the more expensive Cumberland ones, it would be a different matter. It is an astonishing thing how even good architects are neglectful of colour in their buildings, and what comparatively small thought they devote to the beauty of the roof.
Many people possibly would see nothing to admire or commend in Baldock; it would probably impress the average individual as being a sleepy, old-fashioned sort of place, deadly dull, and wholly devoid of interest; so doubtless the same individual would consider Stratford-on-Avon, had not Shakespeare been born there, and had not that magic accident of his birth caused the town to be visited and written about by famous authors, its beauties sought out and belauded by guide-book compilers, its quaint old-world bits of architecture to be sketched and painted and photographed endlessly, so that we all know how to admire it. Now, so far as I am aware, no very notable person has been born at Baldock, so the tourist comes not thither; and with nothing eventful to chronicle about the town, nothing to commend it but its quiet natural-
